The Text behind that Cover Girl Smile
by Merle Hoffman In the morning that I would be posing for photographers for an upcoming profile in Lears magazine I of course dressed myself
by Merle Hoffman In the morning that I would be posing for photographers for an upcoming profile in Lears magazine I of course dressed myself
by Merle Hoffman In some ways my personal and political ties with Russia seem to have an uncanny quality -almost like destiny. The ties began with CHOICES,
by Merle Hoffman Ionce attended a small social gathering which included a woman who professed great skill in analyzing people through calculating the numbers in
by Merle Hoffman It was one of those defining moments: I am watching the finals of the Miss USA pageant and the tension is palpable.
by Merle Hoffman Ihave this fantasy. It’s a variation on that wonderful scene in the movie “Network,” when the eccentric, somewhat mad character played by
by Merle Hoffman rowing up in Philadelphia in the 1950s was a special kind of wasteland. a time when one’s worth and acceptance as a
The first time I heard it was in Detroit in 1982. The words shot out at me like bullets, creating an immediate mental image that
by Merle Hoffman It is the two outlaw women giving the ultimate “fuck you” to the patriarchy I never really wear the things: Political buttons,
by Merle Hoffman I have always had a problem with a style of consistency that demands seeing things in black and white holding the line
by Merle Hoffman Iam a child of the holocaust, a survivor of sorts, a kind of surrogate sufferer. I have never smelled the burning flesh
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